climate

futures


On view at the Liberty Research Annex
October 17, 2024 - January 1, 2025


about
projects
  1. 22/26 Midwest
  2. Ambiguous Territory
  3. Annotation and Insulation
  4. Asutsuare Rebound
  5. Atlas of the Trans-Apocalypse
  6. Becoming Biomass
  7. Bespoke Ultra-Thin Layered 3D-printed Reusable Wood-Bio-Based Formwork for Casting Complex Concrete Geometries
  8. Branch Wall: Geometrically Informed Non-Planar Toolpath and Material Deposition
  9. Deploy 2.0
  10. Detroit Cultural Center
  11. Elephant in the Room, and Other Fables
  12. Fabric-Formed Unstabilized Poured Earth
  13. Frie(s/d)
  14. Functionally Graded Additive Manufacturing
  15. Guidance for Designing and Implementing Constitutionally Valid Local Plans and Regulations to Protect Landmarked Trees, Woodlands, and Tree Canopy in Michigan
  16. Heat and Housing: Co-producing Passive Cooling Strategies and Promoting Health in Informal and Precarious Settlements
  17. Hygroscopic Envelope: Building Enclosures for Climate Adaptation
  18. In My Backyard
  19. In-Svalbard: Cold Coast Atlas
  20. Land, Foodways, and Kinship: The Case of Palestinian Villages
  21. Light Forms
  22. MiCE Architecture: Design Strategies to Mitigate Michigan Coastal Erosion
  23. Museum of Contemporary Art Detroit
  24. Myco-Composite Furniture
  25. Post Rock Post-Industrial Plastic Facade
  26. re:FE Reimagining Mining Waste from a Wounded Region
  27. Shell Wall: Coupling Non-Planar Robotic 3D Concrete Printing and Topology Optimization
  28. Solar Technology Integration on Building Facades
  29. The Canopy
  30. The Lifespan Project
  31. Unfolding Forms of Conveyance
  32. Urban Climate Law Series
  33. Vertical Wetlands





Atsutsuare Rebound
Eric Don Arthur, Lukasz Stanek, Michael Dziwornu               2022-2023

04



After Ghana’s independence in 1957, the village of Asutsuare became the focus of state-led, socialist-inspired agricultural and industrial development. A sugar factory was built, along with a residential area, a sugarcane plantation, and an irrigation system. Twenty years after its closure in the 1980s, the plant was bought by Chinese investors. Today, it manufactures paper and plastic products, while the sugar cane plantation was repurposed for the farming of rice, bananas, and fish.

Asutsuare Rebound, first presented at the Rotterdam Biennale of Architecture (2022), studies the reuse, reappropriation, and revalorisation of modernist planning in Asutsuare. We have interviewed retired employees of the sugar factory and younger inhabitants who explained to us how the material infrastructure and memories of the plant are a resource for imagining and producing a collective future.

By juxtaposing their voices with images by photographer Eric Don-Arthur, this project revisits the ambiguous impact of long-term planning on the landscapes of Asutsuare, including water management, agriculture, and social infrastructure. We understand these ambiguities not as evidence of failure, but as an invitation to rethink the future in a way that moves beyond both modernist techno-utopias and neoliberal short-termism.

Additional credits:
Dawn Osteen El Belton